Thursday, November 19, 2009

Fests Names For College

Estimado señor Monstruo

Dear Sir Monster:

Please excuse my formality, but the truth is that I can think of another name, given that barely know (although I know enough to send this letter.)

The main reason for these lines is to ask a simple question: How long will you stay and live in my closet? Not that I mind, exactly. I can bear the pain meowing cats do you devour every night. I can tolerate most of my clothes are full of scratches and bites, as my books, my records and other personal effects. I can stand the strong smell of animal bouncing and that permeates the entire cabinet, I can even bear to have eaten bites the final work of sociology that had to deliver this month. Please do not take my question the wrong way and not see it as a desire to leave or anything. Simply, I am curious to know how long you plan to stay living in my closet. I'm sure that if elected and if it takes so long to live in it (four months) is because you love, you feel comfortable and spacious. Although, to be honest, is beyond my understanding how overdeveloped a creature like you, who is nearly eight feet and has four arms, can fit in a closet that should have no more than five feet side by four feet high (I must confess that I have not taken the trouble of calculating the volume). I, personally, I would feel very uncomfortable dwelling in a small space, especially considering that is full of stuff ... but if you like, than you. About tastes there is nothing written, no?

Another issue that you would like to clear with regard to feeding habits. As in relation to their habitat, do not judge that stray cats tasting pleasure ... But is need to leave the remains scattered everywhere? Cats destroyed rapidly decaying fall (especially with the heat that we live in this time of year) and the smell they produce is downright nasty (not to mention the flies and worms). I do not tell me. I can wear a nose clip not to feel the fragrance and I can look the other way when it comes to flies and larvae, but my neighbors are starting to make me insistent claims. They say that the "stench of rotten cat" (to put it in his own words) to feel at home ... and I doubt not, believe me. I urge you to take action on this matter, so that all (that's you, me, my neighbors) we can live in peace and harmony.

remain, the compliments and hopes to find it:

Federico.

PS: Also I would be eternally grateful if I had the right to keep your pet, the giant tarantula in another place that was not under my bed. Not that I mind, I love animals, it's just that sometimes I wake up covered in cobwebs and makes it hard to breathe.

F.

Monday, November 16, 2009

Message To Newborn Babies

Solución completa para Pánico en el IPA

Note

This is simply a solution of the game, with all the steps to follow to solve it. There is no review critical of the game itself, which, for ethical reasons, it is advisable to make someone outside the project.
One of the most fun to play an adventure to explore the environment. See, touch and examine everything around us, although we do not help solve the puzzles themselves. This solution only contains the information you need to know to solve the puzzles, but it says almost nothing about the interaction with the environment, which should be run by the player. Starting



After striking and intriguing introduction, we began with Matt in the hallway on the first floor of the IPA. There is a chart on the wall. We can come to see the strange signs and notices that have been published. Looking more closely, we discover that there is also a recipe. Yet we need, so if you try to take it, Matt will not. Going further to the right and we find Algebra, a surly-looking orange cat. (If you try to touch or look at it, we will realize how unfriendly they can be.) Despite this, we speak with him. We say we're looking for melina, ys have a clue what is happening in the IPA. Gradually, Algebra will give us some information, but uncertain. If we want to know more, we ask you to do a favor: we go to the bar to fetch a frozen fish. We also say that the bar is locked (it is logical at that time) and that the key is in the basement. After a brief discussion, we leave to Algebra and go to the right, passing next to the stairs.
Thus we come to the basement. Although we can see all the lights are off, so Matt can not do anything. We have to move a bit to see the switch on the wall. Activate it, which turn on the lights. We see that there are a few bloody torture instruments in the basement. We are interested in the Hammer (hanging on the wall), an examination of the pile on the table (Matt has a review of biophysics) and the Key to the cantina (also posted on the wall).
We left the basement and again in the corridor of Algebra, go to the second corridor, heading for the space between the two small blue triangles. Thus we come to a hallway where there are two doors: that of a classroom and laboratory biology. Open the classroom door and entered.
After admiring the elaborate equations on the blackboard there, we RULE T is lying on the floor and the box of chalk ECONOMIC there on the desk. We left the room and go to the biology laboratory. Upon entering, we walked to the right past Alex the skeleton up to the refrigerator. The open. Inside there is a lot of strange things, which we can look, touch or even speakest but we can only take the BRAIN. Also we took the bottle of KCl (potassium chloride) that is on the fridge. Once we have these things in our power, we leave.
again in the corridor, go to the courtyard, moving toward the front (shown as blue space PATIO).
there, we move to the far right are the oregano and spinach. Matt hates spinach, so the only thing we can take is oregano. Then we use the key in the basement with the door of the cantina and entered.
The bar is made a mess ... seems that there was a slaughter. We see the freezer in the corner. Open the lid and then find the FISH Teo. Then we go a little longer, until the onion rings there on the counter and we got a package. If we walk a little more, find the one responsible for the bloodshed: a squirrel psychopath who threatens us with a knife. We can not touch the squirrel and take the cookie sheet in a star that is on the table, because we risk losing a finger, therefore, we leave the bar.
return with Algebra (returning the same way we came) and we give the fish. So we ask you to tell us more about what happens in the IPA. We speak of an evil force that seems to have possessed the institution ... A membrane mutant! Algebra tells us about his evil plans (to turn all humans into zombies and thus conquer the world) on the membrane where it is hidden, etc. It also gives us a clue as to how we can stop it: the membrane is lactose intolerant. When you finish talking to Algebra, we return to the billboard and now we can take the prescription. If we look, we discover that it is a cheese cookie recipe low in calories (and then also see a chilling "cutscente" we show how is Melina).

The deadly weapon

Now that you have the recipe, we must focus on preparing the cookies to defeat the membrane.
climbed the stairs of the corridor and so reach the second floor. There we see the closed door of girls' restroom. The open. At first it seems that Matt is reluctant to go in there, but finally plucks up courage and get it.
When we went to the bathroom, we find Diana, a classmate. We talk. Melina and asked about what she is doing there. Does not give us much information about our friend, but says that is the bathroom because it seeks its ring of luck, which lost to fall out down the toilet. If we try to help SOPAP taking that next to the toilet, Diana will not let us because it is owned by the girls' restroom. So we have to give Diana the onion rings we get in the canteen. In this way, she will have a new ring of luck (same as before) and will be happy and content, so that we can take the SOPAP.
We left the bathroom and go to the corridor, which is next to it.
There we see three doors: the CEIP (Centre students IPA), and two ballrooms. Let the games of the fund, which has no door, and entered.
Now we are in a peculiar room, which is a cube with a question mark floating in the air. We try to pick up that bucket, then Matt gets under it and jump. Once we have the fungus in our power, we leave.
again in the corridor, go to the next room, the one with the door closed. When we entered, we see a teacher (Charles Fanning, biostatistics) trying to solve some complicated equations. In the lounge there is a heavy book of Biostatistics, which Charles will not let us take, for what needed to finish the job. What we have to do is give you a hand ... or rather, a brain. We deliver the brain that are in the laboratory biology. Thus, Charles manages to solve the equations, so you can go home. We take the tome and go.
Now we can try to enter the CEIPA, but we will meet with Hector, which will tell us that we can not because CEIPA members are in session. The only way in is with an ID, which do not have time. So back to the hallway where the girls' restroom and then we went to the door on the right (the library).
When we entered, we find the librarian. We talked to him and asked him to help us, which will be in vain. Do not let us in the back room, or take any of the data which are on file at the counter. We use the tome with the librarian. Matt returns (and how!) And now that the librarian is out of action, we do what we want. We carry a card file of the counter and then surround it to go to the back room (files). There
see Melina was the same as at the beginning: the empty bag with the remains of green slime that go out the window. In that room there are many books, but we are only interested in two: the Manual of Entomology (which is in the large bookcase in one of the middle shelves) and the MANUAL OF ELECTRONIC STUDENT (which is on a of wall shelves. Once we have these two volumes, left the library.
We return to the corridor where the CEIPA and knocked on the door. Hector comes again to receive us. I again asked to take us to their leader and now we have an identification, we can do it. When we entered the CEIPA
, we see that Hector is very concentrated listening to the speech of his companion Josacho (which stands on the counter, left, talking to a very attentive crowd.) We can try to talk to them, but we do not help much. We can not disrupt the meeting. We can talk a little with Hector, but he will be very friendly. About the counter near Josacho, there is a spray can. If we examine, we find that it is a PEACEMAKER OF RODENTS. We took it. Then go to the right, toward the student who is behind the counter, looking depressed (Anselmo). We talked to him and asked what the reason for his sadness. He says that is because he lost all the tests (we realize that not very smart). Our duty, as future educators, is to give a hand: open your inventory and use our PEN (to start the game, Matt already have it) to REVIEW found in the basement. Thus, Teo alter the test. Now, we give our ADULTERATED EXAM friend, so he flies out of joy. Al
fly, we noticed that he fell to the ground thing: his wallet. Take it. Do not have cash, but a student credit card (VESA), with which we stayed. Anselmo is now, we can put bread hard as a rock that is over the counter and PENCIL (Matt is left alone with the glass). Open the inventory and use the hammer with bread, making flour. Once we have all this, we leave the CEIPA.
In the corridor, go up the ladder from the bottom, rising to third floor. There, we found another card, full of ads next to the restroom. We look at the ads, but the one that really matters is the IMPORTANT NOTICE. Seems to offer classes locksmith fast. Matt is a heel with the number you must call. We went into the restroom.
We met Lenny, the joker of the institute, which will make us a small little joke with his water gun. After this scene, we talked to Lenny. It seems that it is time to switch roles and for once, the victim of the joke he SOPAP We use the CAP NASTY is in the pipe coming out of the wall to the left. In doing so, we will refund the joke to Lenny ... Although perhaps we have gone out of hand. Once you are on the ground, bowed, examine his stocky body (hands) and found his water pistol, which in reality is filled with red ink. There is not much we can do for Lenny now, so we go.
In the corridor again, going to the right, to the computer room.
When we entered, we see that there are three computers: one Rentuim, a lieutenant Napoleon 64 and a M-200. The Ensign Rentuim and we can not use them so that we can only Napoleon (a marvel of technology.) But if we try to use it, find that seems to be broken. As we know little of electronics, we use the MANUAL OF ELECTRONIC we got at the library computer. Thanks to him, put the small piece missing from the Napoleon and now we can use. (Pressing the switch on the bottom).
immediately jumped into cyberspace, particularly at the Warehouse website Doña Cosme. There's a lot of products on sale, but that we are interested in are the MILK, on \u200b\u200bwhich we click. When asked if we buy that product, say OK (which we do because we have credit card Anselmo). Immediately, the store delivery service Doña Cosme leaves a big chunk of cheese, right next to us. We pick you up and go.
We went upstairs and from there to the first (we can go down the stairs are next to the ones we use to upload, so get to the corridor where the biology lab.) We return to the biology laboratory.
walked to the right key until you see the gas leaving the ceiling above the table. open the key and use the cheese with fire, giving us cheese.
We leave and return to the main corridor where it is Algebra. From there, we go left, down the hall. Once in the lobby, we left the IPA through the front door and found ourselves at the entrance.
Here, we use the public telephone which is on the side. Teo called Locksmith number instantly. Then talk to Eustace, received the package containing the tool you need. We collect the package (which may seem disappointing at first) and re-enter.
Back in the lobby, go to the bottom, toward the theater entrance.
We are in the stage, where is Yolanda, the giant spider, with its cute little children. We talked to Yolanda and then try to take his bucket, but she will not let us. So we use the MANUAL OF ENTOMOLOGY with it. Matt begins to relate the fascinating life of an assassin bug, which Yolanda falls asleep. Now, we can take the bucket.
We're going to the theater, we return to the main corridor and there into the yard again, to go back to the cantina. It's time to deal with the psycho squirrel.
In the canteen, we stand in front of the squirrel and use the PEACEMAKER RODENT with her, which we literally pacify. Now, we can take the cookie cutter.
We leave and go back upstairs to return to the girls' restroom. Open the cold water tap and use the pen with water, which we filled. We leave and return to CEIPA.
Once there, Yolanda putting the bucket on the table, next to the microwave and started to put in the bucket, one by one, the ingredients (which may be included in any order): Cheese melted, flour, water (the cup), oregano, chalk, salt (KCl), the fungus and ink (from the gun Lenny).
When all ingredients are in the bucket, we use the T RULE to stir, so we get cookie dough. Now, we use the mold that we took the squirrel to cut the dough, and so we get raw crackers, star-shaped cut. Open the microwave and place the raw cookie inside. You close it and few seconds later, got baked cookies.
Now we are ready to face the membrane.

The confrontation

we go down to the basement. Here, we use Opener Instant Locksmith with steel door. Open the door and entered. (Note: we can get, because now we have cookies.)
In the cellar, moving towards the right (but not before seeing a little around us), until we came to the dreaded membrane. Start a conversation in which we say we're on the verge of defeat, but the membrane is not intimidated and we wonder how we do it. Then, open the inventory and give you cookies. After a brief parliament, the membrane is eaten cookies ... and that's when you realize that it is cheese, but it's too late.
Once the membrane is out of action, we see desperately trying Teo free his friend of that infernal machine. When successful, both run away from there and now we can see them free and safe again, to the satisfaction of having completed the adventure.

Monday, November 9, 2009

Japanese Trains Women

El microondas y yo

MICROWAVE: Wait a minute, little rascal! What do you propose to do about it?

I: I'll heat up some coffee. Do you care?

MICROWAVE: Of course I care! I who have to do all the heavy lifting while you rest looking out the window. I who have to rotate the tray and the fan and cause the microwaves at the same time, to achieve heat the coffee ... And on top when finished, I have to do a beep to warn you. To avoid having to make the slightest effort and not have to stop looking out the window to look inside to see if the coffee is ready or not. Does it seem fair?

ME: Look, piece of junk, are the two o'clock, I'm tired, tense and not in the mood to argue with appliances. So for your sake, let this coffee hot so you can catch me. I need it.

MICROWAVE: Wait a second. Are you going to drink coffee at this hour? What are you doing awake at two in the morning with coffee? Are not you supposed to be sleeping?

ME: Yes, it is assumed, but I have no time to sleep.

MICROWAVE: Why not?

ME: I have a lot to study. In two days I have a partial test of biophysics, a pot very difficult, and I have to spend as much time as possible to study ... On the other hand, I do not think I have to give explanations of what I do or stop doing.

MICROWAVE: There you go again! Working like a dog so you have hot food every day ... I worry for your welfare ... so you thank me ... Mistreatment, as it were ... Like an object!

ME: Well ... It must be because you are an object, right? And I disagree with you to worry about my welfare and have hot meals every day. As for my welfare, I think the microwave is one of the most damaging appliances in the world. I only use to avoid wasting time by frying or baking. And then to have hot food ... the truth is you do not do a good job. The other day I put a heat two cups of coffee. One was boiling and the other froze. And the same goes with food. The chicken we had in the freezer and heated up last night was burned out and frozen on the inside. A true delight! And are you supposed to heat up frozen meals ... Or so said the manual that came with you inside the box.

MICROWAVE: You do not understand. Warm food is a very difficult task. Is too complex to direct the microwaves to be distributed evenly over the food. Is a task for pinpoint accuracy.

ME: Yes, I guess. MICROWAVE
: Do not be sarcastic with me. I'm being very honest at this time. I am opening my soul.

ME: Household appliances have no soul. The soul is an inherent human characteristic.

MICROWAVE: Not so sure. According to the pre-Socratic philosopher Anaxagoras, all things possess something called "nous" or elemental essence, which is found in inanimate objects as living beings.

ME: You know, I love to stay all night arguing with a microwave on philosophy, but the truth is that I have time. Biophysics I expected. Moreover, according to Anaxagoras, the "nous" is able to penetrate some things and not others, which explains the existence of animate and inert. Now let the door open to heat the damn coffee.

MICROWAVE: No! I will not let the coffee hot until you know my effort and values \u200b\u200bme for who I am.

I: To be honest, I think not worth even half what I paid for you. Had I known you were going to cause problems, I would have bought a primus.

MICROWAVE: How dare you! Are you priums saying a better than me?

ME: I'm just saying that a primus not complain much and do a good job.

MICROWAVE: You ... a ... Buaaaaaaaaaaaaaaaa! Buaaaaaaaaaaaaaaaaaaaaaaaaaaaaa!

ME: Well ... do not get well. No big deal, right?

MICROWAVE: I've had enough of you. Quit!

YO: What do you quit?

MICROWAVE: Yes You heard right. I quit. I never want to see you anymore. This is over!

ME: Wait, wait ... do not be angry, please. We could discuss it ...

MICROWAVE: No! There is nothing more to say. It over!

I: Okay. As you wish ... If you have to be so, so be it. 'll Warm coffee in the kitchen.

MICROWAVE: Eh ... No, wait. I ...

I: Yeah?

MICROWAVE: Well ... I think ... maybe I exaggerated a little ...

YO: I think I did too. Sorry ... Sorry for having shouted. And for having insulted.

MICROWAVE: I also cried. I do not know why I was so. I think I am under great stress ...

ME: But you are made to operate at 220 Volts.

MICROWAVE: Yes, although I assembled in Mexico with parts made in Malaysia.

ME: Well. So ... Friends?

MICROWAVE: Sure. You can warm the coffee. If you want.

ME: I have a better idea. Wait a minute.

MICROWAVE: What idea?

ME: It's a surprise. Be right back.

MICROWAVE: Hey! What will you do with that screwdriver?

Tuesday, November 3, 2009

Groping On Bus & Train Windz.com

Análisis musical II

my skirt YELLOW
Letter: Gladys, La Bomba Tucumana.
Analysis: Dr. Aníbal J. Quince. (Geneticist / pastry)


Negrito when I dance when I dance at night and all day
back with my crazy

Bold yellow skirt
when you dance if you dance the night and day
all
us crazy with your yellow skirt

This is probably the most sublime artistic creation in human history. Creation that is almost impossible to match let alone surpass.
In the first stanza, written so I can only describe as angelic, so perfect, we find a permanent conversation between two people (a kind of emulation of "The Colloquy of Monos and Una" by Edgar Alan Poe) but called each other as "black" and "bold." If we could draw a parallel with the work of Poe, we would get interpreted as "Negrito" is Monkey and "Bold" One, two people purged from the time and space, stripped the body, the tangible, of all material. Only two souls, only two voices to communicate with one another, establishing a relationship that reaches heights of mutual verbal language cosmic level.
The dialogue begins when the incorporeal being tells her female male couple spends twenty-four hours a day performing a tribal dance of extreme complexity that captivates anyone who contemplates, and that being female has a special attachment that makes particularly striking: a piece of golden-colored clothing that its description is something that is used around the waist.
Immediately afterwards, the male being repeated exactly what the feminine today announced, bringing the level of intelligence of the dialogue reaches its maximum height. Thus, we can conclude that being male or being on an intellectual level significantly higher than we thought at first and can not do anything but babble mechanically everything that is told, or is that dialogue itself is located at the intellectual level significantly higher than we thought and being has no choice but to bow to him not to be left behind by the magnificence of words that compose it.

All ay mom go crazy (with your yellow skirt)
All ay mom go crazy (with your yellow skirt)
When I go crazy oh black mom (with your yellow skirt)
When I go crazy oh black mom (with your yellow skirt)

Here we found with the glowing core of this stanza poetic composition, which could call "chorus." It consists of four eleven-syllable verses, each topped with extra verse placed curved brackets to distinguish it from the verse itself. Judging by its content, the verses are spoken by the feminine, while being male states at the end of each verse in parentheses repeated identically in four opportunities.
What is striking about this stanza is the composition of words of it, where they merge in a fine no less than the plurality the singularity. This is shown, for example, in the first two lines that say "All go crazy ...". "All" (plural) and "crazy" (singular) are joined in an embrace sublime to transport us to the very ends of human ingenuity. Another striking aspect is also the verses at the end of each verse, repeating the same idea with relentless insistence, which could be due to the intellectual plane which are beings who engage dialogue.

One step over here a small step for moving beyond my waist moving steadily

One step over here a small step for moving beyond my waist moving steadily


already in the final stanza of this epic comparable only with the compositions of Homer or Sophocles, we see a sublime description of the feminine dance performed at the beginning of the poem, although we could find a note of hesitation in his movements, and who first says he wants to move in one direction, then move in the other , or maybe in both directions at once. Then, complete each movement with a shake of the pelvic area, without knowing accurately in which direction. In conclusion, we could infer that being feminine is not aware of their own movements, which may be because you are having a seizure or who suffers from a severe disorder of motor function (which is emphasized by the repetition of verse in which he expresses his movements). A recent study has shown that the chances of the second option is considerably higher than the first, although the lattice of theories is almost infinite.


NOTE: Thanks Marie, for giving me a brilliant idea for this analysis. :-)