my skirt YELLOW
Letter: Gladys, La Bomba Tucumana.
Analysis: Dr. Aníbal J. Quince. (Geneticist / pastry)
Negrito when I dance when I dance at night and all day
back with my crazy
Bold yellow skirt
when you dance if you dance the night and day
all
us crazy with your yellow skirt
This is probably the most sublime artistic creation in human history. Creation that is almost impossible to match let alone surpass.
In the first stanza, written so I can only describe as angelic, so perfect, we find a permanent conversation between two people (a kind of emulation of "The Colloquy of Monos and Una" by Edgar Alan Poe) but called each other as "black" and "bold." If we could draw a parallel with the work of Poe, we would get interpreted as "Negrito" is Monkey and "Bold" One, two people purged from the time and space, stripped the body, the tangible, of all material. Only two souls, only two voices to communicate with one another, establishing a relationship that reaches heights of mutual verbal language cosmic level.
The dialogue begins when the incorporeal being tells her female male couple spends twenty-four hours a day performing a tribal dance of extreme complexity that captivates anyone who contemplates, and that being female has a special attachment that makes particularly striking: a piece of golden-colored clothing that its description is something that is used around the waist.
Immediately afterwards, the male being repeated exactly what the feminine today announced, bringing the level of intelligence of the dialogue reaches its maximum height. Thus, we can conclude that being male or being on an intellectual level significantly higher than we thought at first and can not do anything but babble mechanically everything that is told, or is that dialogue itself is located at the intellectual level significantly higher than we thought and being has no choice but to bow to him not to be left behind by the magnificence of words that compose it.
All ay mom go crazy (with your yellow skirt)
All ay mom go crazy (with your yellow skirt)
When I go crazy oh black mom (with your yellow skirt)
When I go crazy oh black mom (with your yellow skirt)
Here we found with the glowing core of this stanza poetic composition, which could call "chorus." It consists of four eleven-syllable verses, each topped with extra verse placed curved brackets to distinguish it from the verse itself. Judging by its content, the verses are spoken by the feminine, while being male states at the end of each verse in parentheses repeated identically in four opportunities.
What is striking about this stanza is the composition of words of it, where they merge in a fine no less than the plurality the singularity. This is shown, for example, in the first two lines that say "All go crazy ...". "All" (plural) and "crazy" (singular) are joined in an embrace sublime to transport us to the very ends of human ingenuity. Another striking aspect is also the verses at the end of each verse, repeating the same idea with relentless insistence, which could be due to the intellectual plane which are beings who engage dialogue.
One step over here a small step for moving beyond my waist moving steadily
One step over here a small step for moving beyond my waist moving steadily
already in the final stanza of this epic comparable only with the compositions of Homer or Sophocles, we see a sublime description of the feminine dance performed at the beginning of the poem, although we could find a note of hesitation in his movements, and who first says he wants to move in one direction, then move in the other , or maybe in both directions at once. Then, complete each movement with a shake of the pelvic area, without knowing accurately in which direction. In conclusion, we could infer that being feminine is not aware of their own movements, which may be because you are having a seizure or who suffers from a severe disorder of motor function (which is emphasized by the repetition of verse in which he expresses his movements). A recent study has shown that the chances of the second option is considerably higher than the first, although the lattice of theories is almost infinite.
NOTE: Thanks Marie, for giving me a brilliant idea for this analysis. :-)
Analysis: Dr. Aníbal J. Quince. (Geneticist / pastry)
Negrito when I dance when I dance at night and all day
back with my crazy
Bold yellow skirt
when you dance if you dance the night and day
all
us crazy with your yellow skirt
This is probably the most sublime artistic creation in human history. Creation that is almost impossible to match let alone surpass.
In the first stanza, written so I can only describe as angelic, so perfect, we find a permanent conversation between two people (a kind of emulation of "The Colloquy of Monos and Una" by Edgar Alan Poe) but called each other as "black" and "bold." If we could draw a parallel with the work of Poe, we would get interpreted as "Negrito" is Monkey and "Bold" One, two people purged from the time and space, stripped the body, the tangible, of all material. Only two souls, only two voices to communicate with one another, establishing a relationship that reaches heights of mutual verbal language cosmic level.
The dialogue begins when the incorporeal being tells her female male couple spends twenty-four hours a day performing a tribal dance of extreme complexity that captivates anyone who contemplates, and that being female has a special attachment that makes particularly striking: a piece of golden-colored clothing that its description is something that is used around the waist.
Immediately afterwards, the male being repeated exactly what the feminine today announced, bringing the level of intelligence of the dialogue reaches its maximum height. Thus, we can conclude that being male or being on an intellectual level significantly higher than we thought at first and can not do anything but babble mechanically everything that is told, or is that dialogue itself is located at the intellectual level significantly higher than we thought and being has no choice but to bow to him not to be left behind by the magnificence of words that compose it.
All ay mom go crazy (with your yellow skirt)
All ay mom go crazy (with your yellow skirt)
When I go crazy oh black mom (with your yellow skirt)
When I go crazy oh black mom (with your yellow skirt)
Here we found with the glowing core of this stanza poetic composition, which could call "chorus." It consists of four eleven-syllable verses, each topped with extra verse placed curved brackets to distinguish it from the verse itself. Judging by its content, the verses are spoken by the feminine, while being male states at the end of each verse in parentheses repeated identically in four opportunities.
What is striking about this stanza is the composition of words of it, where they merge in a fine no less than the plurality the singularity. This is shown, for example, in the first two lines that say "All go crazy ...". "All" (plural) and "crazy" (singular) are joined in an embrace sublime to transport us to the very ends of human ingenuity. Another striking aspect is also the verses at the end of each verse, repeating the same idea with relentless insistence, which could be due to the intellectual plane which are beings who engage dialogue.
One step over here a small step for moving beyond my waist moving steadily
One step over here a small step for moving beyond my waist moving steadily
already in the final stanza of this epic comparable only with the compositions of Homer or Sophocles, we see a sublime description of the feminine dance performed at the beginning of the poem, although we could find a note of hesitation in his movements, and who first says he wants to move in one direction, then move in the other , or maybe in both directions at once. Then, complete each movement with a shake of the pelvic area, without knowing accurately in which direction. In conclusion, we could infer that being feminine is not aware of their own movements, which may be because you are having a seizure or who suffers from a severe disorder of motor function (which is emphasized by the repetition of verse in which he expresses his movements). A recent study has shown that the chances of the second option is considerably higher than the first, although the lattice of theories is almost infinite.
NOTE: Thanks Marie, for giving me a brilliant idea for this analysis. :-)
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